
For the past two days, I have been working as a music teacher and chamber musician in Santo Domingo, Dominican Republic through a program called Traveling Notes. My colleagues include a Dominican pianist who now teaches and plays in association with a university in Las Vegas, a Peruvian violinist who plays with the Virginia Symphony, and an American cellist who lives in Boston. We're here to further the cause of chamber music and classical music in the Dominican Republic, and in the Caribbean in general. In addition to playing concerts here, our group will mentor ten chamber music groups here in Santo Domingo.
Our group has rehearsals in the morning and early afternoon. We're preparing for three different concerts: one for a school that works with children with Down's syndrome, a benefit concert for Traveling Notes in the home of a patron, and the big concert at the end of the week, when our students will also perform.
We begin teaching at five in the afternoon, and continue through 9:30 pm. Each of us coaches two groups in the evening. Since I'm the only wind player, I have the pleasure of coaching a wind quintet consisting of some very good Dominican players in their late teens and early twenties. They have a lot of personality, and a couple speak some English, so we can get by with the little Spanish I know, the little English that they can translate, and musical terms. They seem to be arguing a lot with each other, and I'm not clear always about what. But they are generally very passionate. The clarinet player in the quintet is also a composer, speaks English pretty well, and is very knowledgeable of contemporary music. He knocked down some expectations for me right away: I didn't expect to be asked about the New Complexity or Finnish composers while I was in Santo Domingo.
Once I'm done with the quintet, I spend two hours with another group, and since we rotate around, it will be with a different group each night of the week. This is so much fun - different students, different instruments, different levels. I'm a little worried that by the end of the week we teachers will be telling these students four different things, but hopefully it will all be somewhat consistent. I particularly relish these chances to talk to string quartets about breathing together.
There is a kind of chaos that seems to accompany certain Latin American cities. Santo Domingo is one of those. You cannot come here and expect things to work normally. The corruption of this city permeates nearly every way of life -- electrical blackouts, the way buildings are built, the way people are paid. I learned the other day that there is 60% sales tax on certain things, like restaurant food -- but if you have diplomat status, as we do, you just show your diplomatic papers and you don't have to pay the tax. We musicians are supposed to have some money from the Ministry of Culture to pay for our meals and transportation while we are here, and we still don't have the money because the government is insisting that they take a 25% cut. Organizers through Traveling Notes are trying to get the full amount, and so we are in a perpetual "mañana" status. It's always going to happen tomorrow. We just go with the flow.
My Spanish is getting better, particularly my listening comprehension. Everyone is encouraging me to talk as much as I can. It's a surprise to realize that I already know how to say a lot of basic things. Strangely, trying to speak any language at all besides English is helping my French, too, since I generally try to say something in French first by accident, and then correct myself.
Tonight after the rehearsals and coachings, we went out to have Dominican sushi, which is awesome. Imagine sushi, with rice and nori, but topped with plantain slices and avocado, with sweet fruit sauces. Amazing.
Tomorrow, more rehearsals. We literally haven't had any time to ourselves to sight-see or to stick a toe in the clear Caribbean water. Maybe on Friday.
Labels: Dominican Republic